(Please note: ANAGAMA pottery is one of a kind and there are never two alike, so that once sold, this will be out of stock. It takes approximately 3 weeks from the time you order this item until the date it is shipped from Japan. In extremely rare cases, it may take up to 4 weeks. If you order this item with other items, they will be shipped together.)
diameter: 3.54inch (9.5cm), height: 3.54inch (9cm), weight: 10.54oz (299g)
Traditional ANAGAMA pottery fired on August 27 to 30, 2016
Made by Hozan Tanii
Chawan tea bowls fired in the ANAGAMA kiln have been sought-after by tea masters throughout the history of tea in Japan, especially by those within the Enshu school. The Enshu school was established by Enshu Kobori (1579-1647), who also developed and established the art of the Japanese garden and landscape in the Middle Ages.
The color and pattern of each ANAGAMA ceramic is completely unique. There is never one ANAGAMA the same as any other. The smoky patterns of the ANAGAMA are created by soil, wood ash, and fire in the ANAGAMA kiln. It is impossible to fully control the patterns made by fire. It is the reason why it is said that ANAGAMA pottery is the art of the combination of earth and fire, and why ANAGAMA fascinates the artisan and touches the heart. (For more information regarding ANGAMA Matcha Bowls, please click here.)
Bright and rough natural glazes in gray, aubergine, brown, and BEEDORO green are made from only wood ash during firing in the kiln. All are well marbled into one bowl and create a complicated, indescribable aura. The brownish green color is BEEDORO glaze from wood ash. Burst feldspars look pebbly. The brown and reddish color is created by a fine coating of ash on the clay. It is called HIIRO, which means fire color in Japanese, and is an essential feature of ANAGAMA pottery. Burnt deposits play an important part in deepening the atmosphere. These are all essential features of ANAGAMA pottery.
AKI means autumn, and UTAGE means celebration in Japanese. This bowl expresses the idea that nature itself celebrates and enjoys the abundant harvest in autumn. The natural glaze colors of dark yellow gold coating inside and outside the front exterior expresses the image of autumn’s glory, and also represents the joy that all the plants are mature enough to have rich crops. The wavy shape of the rim looks like a mountain which is gilded in autumn colors. Trees and plants experience sometimes calm and comfortable, yet sometimes harsh seasons deriving from the impact of nature throughout the year, and bear rich fruits and vegetables in the autumn season. In an anthropomorphic sense, nature celebrates the arrival of autumn, and shares its joy. This bowl kindly speaks to us, that autumn is one of the pleasures of cultivation and harvest, not only for people but also for nature.
Texture is also one of the focal points for this Matcha bowl. Glaze fired at a high temperature has a smooth, glossy texture, while firing at a lower temperature creates a rough, muddy texture. The combination between the smooth and rough textures express the unique aesthetic atmosphere of the bowl.
BEEDORO glaze naturally flows from the top to the bottom on the front exterior and left side of this bowl, and its glaze flow is built up around the base. Dark and glossy green color tells us that the glaze color and feeling change depending on its density, an expression beyond description.
This Chawan was placed upright in the kiln. The patterns on the bottom were created by placing the work on fireproof stones during firing in the kiln. Those stones are used not only to hold the bowl in place during firing, but to add patterns to the work or to adjust the burnt color. One of three stones are burnt in the kiln, and natural BEEDORO glaze colors its stone trace. The contrast between the color of the plain earthenware, the HIIRO fire patterns, and the BEEDORO glaze pool evokes the impression of natural beauty created over time.
Gray and ashy brown color glaze naturally flows inside the bowl, and depending on the fire temperature and accumulation of ash, those colors change by gradation. The coincidental combinations among the glaze, HIIRO fire color patterns, and burst feldspars create sublime scenery inside the bowl. Considering that this glaze pattern is created in the kiln during firing for more than 100 hours, you will be inspired by its transcendant beauty, which is created over time.
Not only the color and pattern, but also the form of this work is excellent. The body from the middle to the bottom is elaborately scraped into an octagonal shape by Hozan Tanii. This form is carefully designed to fit comfortably in both hands.
Enormous techniques, developments, time and devotion of Mr. Hozan Tanii went into creating this ANAGAMA work of art, which was first developed in the Middle Ages. His prominent techniques, and the interaction between fire and earth in the kiln, which cannot be fully controlled, created this one and only sublime Matcha bowl. Once you see or touch this item, your heart must be mesmerized by the art of earth, fire, and the artisan's soul.
Specially packaged in a wooden box.
Lead-free. Made in Japan.
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